Trading card advantage for tempo is one of the strategic axes that must be navigated with care and consideration. The present macro-archetypes are better described as combo, stax/prison, and control, rather than the more prevalent aggro, midrange, and control. Fast combos are inconsistent, powerful strategies like Shops suffer from a lack of redundancy, and the quality of both threats and disruption fall off sharply in singleton. In 2014, MacFarlane released his first-ever Christmas album, “Holiday for Swing,” that debuted at #1 on the iTunes holiday album charts.
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The majority of the combo decks in the Degnerate Micro Cube win by cheating the biggest, baddest threats from Magic’s history into play. After you deposit to your new account at Lucky Max Casino, you can visit the casino’s lobby to start playing your favourite casino games. The combo and additional instant-speed answers required many slots, the deck doesn’t feel interesting to draft, and it was one of the best strategies in the cube. Moreover, it’s one of the only combos that reliably lets you win the game without passing the turn, which means all the sorcery speed answers are blanks against it. If you would like to understand just how powerful Strip Mine is, I recommend playing a deck that gets to play it every single game. While it might seem like we are already playing a number of cards that fit this definition, they all have much more reasonable floors.
Lands
Scenes of the video are interspersed with Spears singing the song from a billboard and sitting in the middle of a giant star centerpiece, sprinkling glitter down on Lucky. The video begins with Spears telling a story about a very famous Hollywood actress named Lucky, played by Spears herself. In Germany, the song reached number one on the Media Control Charts, being certified gold by the Bundesverband Musikindustrie (BVMI) for shipping over 250,000 units of the single. In Australia, the song peaked at number three, and was later certified platinum by the Australian Recording Industry Association (ARIA), for shipments of more than 70,000 units of the single. On the week of August 28, 2000, “Lucky” debuted at number five on the UK Singles Chart, falling to number six in the following week.
They considered the song Spears’ version of “Where Did It All Go Wrong?” by English rock band Oasis, and went to describe it as “a heart-rending tale of life at the top of the teen pop tree, transformed into an anthem for dramatic, moody 12-year-old girls everywhere by Max Martin’s scary talent for teenybop lyrics”. After meeting with Max Martin and Rami Yacoub in Sweden, Spears recorded several songs for the album, including “Lucky”, which was co-written and co-produced by Martin and Rami, with additional co-writing from Alexander Kronlund. In the United Kingdom, the song peaked at number five, and is Spears’s tenth best-selling single in the country, having sold over 225,000 copies.
- The final nail in the coffin for Strip Mine is that it’s a land and therefore is basically impossible to interact with.
- Your deck/inventory consists of pieces, which are scattered around a grid at the start of every turn.
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- For this reason, constructed decks are much better models for what can work in the Degenerate Micro Cube than heuristics derived from traditional cubes.
- Alternatively, Emry and Lurrus allow you to repeatedly cast answers or threats from the graveyard, while a card like Red Sun’s Zenith doubles as an inevitable win condition and removal.
- Karakas and Maze of Ith — Both Karakas and Maze of Ith are potent tools to combat creature cheat decks, which run rampant in this environment.
Not Losing to Drawing from an Empty Library
Like the 15 card deck size, I do not know why the rules were modified in the Singularity Cube to remove losing to drawing from an empty library. For this reason, constructed decks are much better models for what can work in the Degenerate Micro Cube than heuristics derived from traditional cubes. However, more likely still isn’t very likely — in our many hundreds of playtest games we had four draws, two due to Ensnaring Bridge and two due to a locked up board where neither player could profitably attack. Games are more likely to end in a draw in the Degenerate Micro Cube because players don’t lose to drawing from an empty library.
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It too offers a tempo advantage but (usually) in exchange for card disadvantage, an even steeper cost in this environment given the small deck size. To many, Vintage Cube is the pinnacle of limited Magic — the most powerful way to draft — but it’s a far cry from constructed eternal formats. The track was also on the Dream Within a Dream Tour (2001–02), where Spears emerged from the middle of a giant music box on the stage as a ballerina, to perform the song in a medley with “Born to Make You Happy” and “Sometimes”, right after the performance of “Overprotected”. David Veitch of the Calgary Sun and Chuck Taylor of Billboard compared the song’s rhythm to the ones of Spears’s previous singles “…Baby One More Time” (1998) and “Sometimes” (1999). According to the digital music sheet published at Musicnotes.com, the song is composed in the key of D♭ major (but will later modulate to E♭ major at the end of the bridge) and is set in the time signature of common time with a moderate tempo of 95 beats per minute, while Spears’s vocal range spans over an octave, from A♭3 to E♭5.
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- I was initially skeptical that Goblin Welder was good enough, until it was proven to be a unique combination of toolbox, inevitability, and creature cheat that is potent if drafted properly.
- One match in an early draft was decided with two spells cast total between the two players (Flash both times, once in each game).
- The small deck size means that Shelldock Isle is always “turned on” and allows you to cast any spell in your deck, at instant speed, as early as turn two.
- Like swimming with sharks or eating a Ghost pepper, playing the Degenerate Micro Cube is not for everyone.
If you do have a narrow removal spell for your opponent’s Shelldock, their win condition is now stranded in exile. First, discard spells are dead against it, as you can’t discard the Shelldock itself, and the target is plucked from your opponent’s library and never in their hand to begin with. Topdeck manipulation in the form of Brainstorm, Sensei’s Divining Top, or Sphinx of Foresight was key to making it work reliably.
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Siding in a single card changes ~10 percent of your non-land cards, the rough equivalent of bringing in four copies of a card in constructed. Recursion cards like Elixir of Immortality or Serene Remembrance are best if they’re the last card you draw, so you’re happy to bottom them on a mull to six. If you’re playing Oath or Tinker, you may choose to mulligan a good opening seven to explicitly bottom your cheat target. Playing to your outs in the Degenerate Micro Cube means mulliganing, scrying, and playing strategically so you deploy all of your threats at the right moments and have access to your answers when you need them. Playing to your outs in normal limited often means throwing up a hail mary, making sacrifices to give yourself one extra 4% chance to draw the single card you need to win. Decks with a diverse toolbox of interaction fared best in playtesting, and drafting the right balance is a challenge.
This environment, more than any other I’ve played, rewards familiarity with the list and knowledge of how the cards interact with one another. Games between decks drafted from the Degenerate Micro Cube are a uniquely brain-bending experience. Many people’s first inclinations are to build “the counterspell deck” or “the discard deck”, but counterspells line up poorly against fairer decks, like hate bears, and discard spells can’t stop a topdecking opponent.
The acute impact of sideboarding has a profound effect on otherwise dead draft picks. Smaller deck size and potent, narrow answers mean that a Degenerate Micro Cube deck can be radically transformed by sideboarding. In the Degenerate Micro Cube, even more so than in typical cube, you’re always looking for a hand with a focused plan — ideally one that is advantaged against your opponent’s strategy. I make boneheaded punts at a higher frequency in this format than in any other I’ve played. Mistakes are inevitable, and they’re often more noticeable than they would be in a typical game of limited.
Moreover, with the rules change that you no longer lose the game when drawing from an empty library, the inherent risk of these win-conditions is eliminated. Timetwister or Yawgmoth’s Will are powerful because they draw you tons of cards, and with all your mana-positive spells, you can actually use all of them, often in the same turn. Even the best storm decks we crafted were glass cannons that scooped to a counterspell or, if on the draw, a turn one Thoughtseize. Successful combos in the Degenerate Micro Cube are extremely compact, which means the rest of your deck can be any combination of your own disruption, fast mana, or recursion.
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Don’t forget, one answer to your opponent’s combo is simply to have a better combo. Whether protecting your own combo or answering an opponent’s, a range of answers is essential, ideally with options to sideboard into depending on the matchup. With such compact win-conditions, most of your picks will be spent on interaction. A willingness to stay open and spend a few speculative picks on varied combo pieces is key to success in the Degenerate Micro Cube. With only twenty picks across two packs, a draft of the Degenerate Micro Cube moves quickly, and each pick is critical.
In a 15 card deck, you have a 47% chance of having a given card in your opening hand, compared to a 40% chance in a 60 card deck running a full playset of the card in question, or a 17% chance in a typical, 40 card, singleton cube deck. Since my goal is to emulate powerful constructed combos, this allows singleton decks to mimic the proportions of their 60 card equivalents. With small decks and short games, those mistakes are often easier to spot. Instead of thinking about card advantage or tempo or who’s the beatdown, players must determine which cards and interactions matter in the matchup and play accordingly. In the Degenerate Micro Cube, however, that range is greatly reduced, enough so that it is almost always correct to plan in terms of specific, singular cards in yours and your opponent’s decks.
I’ve never really played an auto-battler before, preferring to be active in my decision-making, but there’s a first time for everything. This overlap is what keeps the drafts of the Degenerate Micro Cube from feeling on rails, and Vault-Key combo has no such leeway. We ran a couple drafts with a full Vault-Key package, and while it was definitely one of the premier combos, I’m not convinced it was overpowered, per se. This meant that experienced players knew better than to build a ”Shelldock Deck” and would instead only play it in combination with other, more reliable methods of cheating a creature into play. Karakas and Maze of Ith — Both Karakas and Maze of Ith are potent tools to combat creature cheat decks, which run rampant in this environment.
If you take Mishra’s Workshop pack one, pick one, but then don’t see any spheres, it’s better to audible into an alternative strategy than try to play a shops deck that is missing key components. It’s important to remember that though you only get twenty picks, you only need roughly ten non-land cards to construct your deck. Many matches are won and lost in the draft, not in the games themselves. They also open up more creative deckbuilding and sideboarding options, as players who have prioritized fixing have the opportunity to splash for spells in different colors to shore up bad matchups.
By the time they realize they aren’t getting there, it’s much too late to pivot. A common beginner’s mistake is to take a combo piece early and commit to the deck, assuming that no one else will take the other half of the combo. Drafts and games harshly punish inexperience with the primary strategies, and with games often decided by one or two spells, there is no such thing as a “small” mistake.
Discussion of potential cards and archetypes was near constant, and we drafted the cube every weekend for months. I was fascinated by the novel constraints, radical recontextualization of cards and effects, and the idea of playing Magic with dramatically increased consistency. Not including all of the cards in a given draft risks splitting up combos, potentially torpedoing someone’s draft by pure chance. While I don’t think the draft format is ideal, it hasn’t kept us from having fun with the cube and drafting functional decks. The draft, which consists of 2 packs of 10 cards, is the aspect of the cube I am least happy with.
Five-color fixing lands are played in any deck with more than one color, and allow drafters to make choices about how much they want to prioritize fixing instead of just rewarding them for the luck of getting passed the right dual land. An early version of the cube included the more typical cycle of original duals, but decks are so small that they don’t really adhere to typical “two-color” models. Under these circumstances, the 15 card minimum deck size becomes a liability, and you need ways to recycle your cards or otherwise assemble some kind of inevitability. However, sometimes unstoppable combos run up against immovable disruption and the game grinds to a halt. With so much free disruption in the cube, players must assume even their tapped-out opponents have interaction and sequence their plays accordingly.
I thought the cube would be the Magic equivalent of taking turns shooting sawn-off shortguns at eachother at point blank range. The concept behind the Singularity Cube wedged it’s way into a corner of my brain when I first read about it in 2017. With so few picks and dramatically fewer wheels, there is much less time to find the open lane at the table. With such small libraries, if winning through mill were possible, I believe it would be a meta-warping and possibly dominant strategy.